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Chad Wentzel,
a native to the Seattle area, earned a BFA in Printmaking and a
BA in Interdiciplinary Visual Arts from the University of Washington
in 2004.
His work is made from an unencumbered perspective of boyhood, where
the world is infinite and full of curiosities. It is not a boyhood
of naivete, but rather of awareness of the world’s woes with
the choice to revel in the bliss offered by childhood. This stance
is both impractical and irresponsible, but it mimics the obsession
American culture has with itself, ignoring so many tragedies in
the world. Rather than taking an overtly critical stance toward
this theme, he embraces it and celebrates the fiasco that is American
life.
He draws his inspiration from the excessive objects of the Baroque
using them to act as symbols for the unnecessary in American culture.
By manipulating symbols of grandeur he commemorates the ridiculous
and embraces the excess of modern life, drawing the parallels between
the engulfing power of the beauty the palace of Versailles and the
glitz of the Las Vegas Strip. He is interested in the fact that
two such drastically different cultural phenomena use excess in
such a similar manner and attempts to replicate their intersection. |